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Richard MacDonald American, b. 1946

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Open a larger version of the following image in a popup: Richard MacDonald, Doves, Third Life, Platinum, 2010
Open a larger version of the following image in a popup: Richard MacDonald, Doves, Third Life, Platinum, 2010
Open a larger version of the following image in a popup: Richard MacDonald, Doves, Third Life, Platinum, 2010
Open a larger version of the following image in a popup: Richard MacDonald, Doves, Third Life, Platinum, 2010
Open a larger version of the following image in a popup: Richard MacDonald, Doves, Third Life, Platinum, 2010
Open a larger version of the following image in a popup: Richard MacDonald, Doves, Third Life, Platinum, 2010

Richard MacDonald American, b. 1946

Doves, Third Life, Platinum, 2010
Bronze
26.5" x 16" x 17.25"
BAL027PN
Inquire
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. Richard MacDonald, Jazz Dancer, 1992
  • (View a larger image of thumbnail 2 ) Richard MacDonald, Jazz Dancer, 1992
  • (View a larger image of thumbnail 3 ) Richard MacDonald, Jazz Dancer, 1992
  • (View a larger image of thumbnail 4 ) Richard MacDonald, Jazz Dancer, 1992
  • (View a larger image of thumbnail 5 ) Richard MacDonald, Jazz Dancer, 1992
  • (View a larger image of thumbnail 6 ) Richard MacDonald, Jazz Dancer, 1992
  • Doves, Third Life, Platinum
Richard MacDonald has always been intrigued by opposites and he has the range to be able to create both sculptures of delicate, archetypal femininity and powerful, athletic masculinity. In Doves,...
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Richard MacDonald has always been intrigued by opposites and he has the range to be able to create both sculptures of delicate, archetypal femininity and powerful, athletic masculinity. In Doves, we see the combination of both: the softness and delicacy of the female and the strength and power of the male. In this work MacDonald employs effective use of the Baroque Spiral to achieve wonderful movement – the piece seems to ethereally take flight creating a passionate image of love and devotion. Originally inspired by the Bolshoi’s performance entitled "The Doves", MacDonald's interpretation brings classical ballet into heartened focus.

 
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